Großhandelsöl Streichend Kein Minimum An
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1459 Nationale Galerie, London 1459
National Gallery, London |
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El Greco
Qual im Garten Agony in the Garden
Gemälde IDENTIFIZIERUNG:: 30951
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mk68 c.1600- 1605 mk68
c.1600-1605
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MANTEGNA, Andrea
Qual im Garten Agony in the Garden
Gemälde IDENTIFIZIERUNG:: 33408
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der Tempera von mk86 C. 1460 auf Holz 63x80cmLondon, Nationale Galerie mk86
c.1460
Tempera on wood
63x80cm
London,National Gallery
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das Öl von mk132 1819 auf Leinwand 47x35cm mk132
1819
Oil on canvas
47x35cm
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Andrea Mantegna
Qual im Garten Agony in the Garden
Gemälde IDENTIFIZIERUNG:: 40216
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das Öl von mk156 C. 1459 auftäfelt Musee des Beaux-Künste de Reisen. Reisen mk156
c.1459
Oil on panel
Musee des Beaux-Arts de Tours.
Tours
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Albrecht Durer
Qual im Garten Agony in the Garden
Gemälde IDENTIFIZIERUNG:: 42306
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mk168 221x156mm mk168
221x156mm
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Albrecht Durer
Qual im Garten Agony in the Garden
Gemälde IDENTIFIZIERUNG:: 42430
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mk168 Holzschnitt 389x282mm mk168
Woodcut
389x282mm
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Albrecht Durer
Qual im Garten Agony in the Garden
Gemälde IDENTIFIZIERUNG:: 42442
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der 118x75mm von mk1681508 mk168
1508
118x75mm
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Date ca. 1510(1510)
Medium Oil on oak
Dimensions Height: 85 cm (33.5 in). Width: 63 cm (24.8 in).
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1510(1510)
Medium Oil on oak
cyf |
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Titian
Agony in the garden
Gemälde IDENTIFIZIERUNG:: 98309
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oil on canvas, 76 x 136 cm, Prado Museum
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1665(1665)
Medium oil on canvas
Dimensions Height: 126 cm (49.6 in). Width: 154 cm (60.6 in).
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Adriaen van de Velde
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
Agony in the Garden 1665(1665)
Medium oil on canvas
Dimensions Height: 126 cm (49.6 in). Width: 154 cm (60.6 in).
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Related Paintings to Adriaen van de Velde :. | The Riesengebirge Mountains | portrait of bindo altoviti | Countess of Chatham | The Institution of the Eucharist (detail) sg | George Washington | |
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KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt |
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